ANGELA SCHANELEC: MUSIC (2023)



The baffling art film drama of this Sophocles-based contemporary German Berlinale Silver Bear winner starts with a romance between a prisoner and a prison guard

Jessica Kiang (Variety) calls this, Schanelec's tenth film (but the first one I've seen), a "riff" on Oedipus Rex that's "rewarding" but "radically mystifying." (She is, ultimately, very appreciative.)

But Shanelec rings changes on Sophocles, not least of which is that the Oedipus character avoids lasting repercussions from his grievous mistake, committed due to being abandoned as a baby and never knowing his origin, or his connection to the prison guard he falls in love with after being jailed for manslaughter.

She (Shanelec) is an "uncompromising formalist" whose work is another "beautiful and strange deep-niche arthouse artifact," Kiang writes. You have to know Shanelec is interpreting Sophocles going into this film to make sense of it, Kiang says, and makes clear that while Shanelec is caviar to the general, she has an enthusiastic cult following.

Jordan Mintzer (Hollywood Reporter) wrote about Music, reviewing the director's career. "While Home" (her previous feature) "walked away with Berlin’s Silver Bear award in 2019," Mintzer said, "it’s hard to see Music doing the same, even if it will probably appeal to Schanelec’s admirers." He turned out to be partly mistaken: Music did win a Silver Bear, for its screenplay.

Peter Bradshaw of the Guardian also wrote about Music at the Berlinale. But while he describes its accomplishment as cinema favorably, and watched it to the end, he admits that Schanelec's refusal to render up meanings has defeated him in the past, and did so again this time.

Music can be seen as a palate-cleanser, or a challenge for cinematic puzzler-solvers. Readers are advised to consult these three cited reviews for more detailed descriptions of the film, which takes place mostly in Greece, starring French actors speaking fluent Greek. There are many long, still shots; much action takes place around the sea. The mentioned prison meeting recognizably occurs, and a car accident in which someone is killed. The leaps forward in time the reviewers describe can be observed. This is a world of sunshine, not darkness. Most shots are silent, many scenes with people lacking dialogue, but there are moments of uplifting baroque music and also live musical performances taht are very pleasant, including a short concert at the end. There is assurance in the images and editing, though it's hard to conceive of this as telling a story without consulting a shot-by-shot explanatory program as one watches. She knows what she is doing; we may not. It's a rather soothing, but baffling, watch. Music is an art film for its own self-defined audience of conoscenti.

Music, 108 mins., debuted in competition at the Berlinale Feb. 21, 2023, winning the Silver Bear for best screenplay. Also shown at Hong Kong and Istanbul. Screened for this review as part of the NYFF. Oct. 4 and 5, Q&A's with Shanelec. Metacritic rating: 72%.

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©Chris Knipp. Blog: http://chrisknipp.blogspot.com/.